But then, tonight, April ushered a mighty retaliation in the form of something unexpectedly epic.
The Decemberists.
Grand enough in scale thanks to Chris Crack, a budding feud with Fall Out Boy, a crazy high drummer, "The Crane Wife" 1-3 in complete succession, a hot air balloon dress , a near suicidal South Carolinian in the upper left balcony, and a giant whale costume with subsequent audience lamenting, Colin Meloy had to go and top it all.
He invited us on stage.
Jeremy Huynh and I gladly accepted the invitation.
For "Sons and Daughters," three feet away from Colin, and within cuddling distance of the bassist, we sang for all of Raleigh. And we danced. And we rejoiced.
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